Thalia Hall

For Tank and the Bangas, music is a vessel for unbridled joy and transcendent connection---forces as integral to their essence as their wildly original sound. On their new album The Last Balloon, the New Orleans-bred outfit channel those impulses into something celebratory yet profoundly human, exploring themes of frustration, resilience, and self-realization with equal parts raw emotionality and playful exuberance. A shapeshifting collective helmed by lead singer Tarriona , "rdquo" -> Tank" Ball and multi-instrumentalist Norman Spence II, the globally beloved group completed the LP after winning a GRAMMY for 2024's spoken-word powerhouse The Heart, The Mind, The Soul, moving from incendiary poetry to a euphoric collision of soul and hip-hop and forward-thinking R&B. As the final installment in a trilogy of albums that began with 2019's Green Balloon (a critical triumph that earned them a GRAMMY nomination for Best New Artist), The Last Balloon ultimately solidifies Tank and the Bangas' legacy as one of modern music's most steadfast voices of sublime exhilaration. Executive-produced by their frequent collaborator Austin Brown (Jamila Woods, Masego), The Last Balloon offers up a suite of songs designed to thrive in Tank and the Bangas' rapturous live set, where unified movement becomes crucial to the show itself. , "rdquo" -> We're known for a very interactive experience, so I wanted to get the fans more involved and have even more fun with the crowd," says Ball. , "rdquo" -> There's lots of gang vocals, handclaps, all these intentional moments to let everyone know, 'This is my part, but your part's coming up next---so get ready.'" A highly collaborative band whose past work has featured luminaries like Big Freedia, Questlove, and Jill Scott, Tank and the Bangas created The Last Balloon with the help of Iman Omari (a multifaceted musician who's worked with Kendrick Lamar and Mac Miller), pianist/producer Tane Runo (Brittany Howard, JID), esteemed soul singers Ledisi and Jelly Joseph, and many more. The result: a party-ready extravaganza that provides both ecstatic catharsis and communal elevation. Mainly recorded at The Complex Studios (an iconic L.A. spot once home to Earth, Wind & Fire), The Last Balloon unfolds in a loosely woven storyline charting a journey from self-doubt and erasure to empowered self-reclamation.

Phillip Phillips Meet & Greet Experience • One GA Standing ticket • Early entry into the venue • Exclusive meet and greet along with personal photograph • Access to a pre-show songwriters story time including an acoustic performance • Limited Edition corduroy hat • Exclusive signed setlist • Official meet & greet laminate • Priority merchandise shopping • On-site VIP host • Limited availability Thank you for purchasing a Phillip Phillips VIP package. Buyers will receive an email approximately three days prior to the show date with VIP details, sent to the address submitted at time of purchase. One More Time VIP, the artist, tour, promoter, ticketing company, venue or any other affiliated parties are not responsible for outdated or inaccurate information provided by the consumer. All packages and package contents are non-transferable; no refunds or exchanges; all sales are final. Package elements are subject to change. VIP merchandise items will be distributed at the show. If you have any questions regarding your VIP package elements, please contact info@onemoretimevip.com Best known for his five-times platinum hit , "rdquo" -> Home," Phillip Phillips has always been interested in making music that allows people to reflect on their life. Growing up in Leesburg, Georgia, Phillip first picked up guitar at age 14 and soon mastered riffs mostly by playing along to his family's karaoke machine. He took up singing and songwriting as a teenager which led to him forming an acoustic band with his older sister and brother-in-law. With encouragement from his family and friends, he took a break from working in his family's pawn shop and auditioned for American Idol in summer 2011. After impressing the nation with his stellar vocal control and stage presence, Phillips emerged as the show's season 11 winner. Premiering the same day he claimed his victory, , "rdquo" -> Home" marked the most successful coronation song of any Idol winner and the highest-ever debut on Billboard's Digital Songschart. Soon after his American Idol success, Phillips started working on his first full length album The World From The Side Of The Moon. Released in 2012, this album debuted at #4 on the Billboard 200 and quickly went platinum. Shortly after his success with his debut album, Phillips released Behind The Light, his 2nd full length project, and took it on tour in 2016. Known for his high energy shows, Phillips has toured with superstar artists such as Matt Nathanson, John Mayer, the Goo Goo Dolls and even shared the stage with Bruce Springsteen at the Rock in Rio Festival.

"Matsson has made some of the best and most-compelling folk songs of the 21st century." --- Paste , "rdquo" -> The Tallest Man on Earth has released some of the best modern folk music of this century. He writes elegant, homespun ballads that draw you in toward the proverbial campfire." - GQ Swedish singer-songwriter The Tallest Man On Earth aka Kristian Matsson is announcing a 2026 US fall tour today and the song , "rdquo" -> Colors", his first new music in nearly three years. Recorded by Matsson in his home studio, the song whirls and swirls with his violin, guitar playing and signature croon. Yearning for the verdant inspiration of summer, head below to listen and watch the song's new video featuring handheld camera footage from Kristian and his crew on a recent run of European shows. Watch/Listen to , "rdquo" -> Colors": https://thetallestmanonearth.ffm.to/colors The Tallest Man On Earth has captivated audiences using , "rdquo" -> every inch of his long guitar cord to roam the stage: darting around, crouching, stretching, hip-twitching, perching briefly and jittering away..." (The New York Times). His tour this fall begins October 15 in North Carolina and snakes through the East and West coasts, ending in Phoenix on November 15. Head below to check out all upcoming tour dates. Critics often draw comparisons between The Tallest Man on Earth and Bob Dylan, citing similarities in both songwriting and vocal style. Matsson himself has acknowledged Dylan's influence, revealing that he started listening to him at the age of fifteen. Fascinated by Dylan's covers, he delved into their origins, which gradually introduced him to early American folk artists like Pete Seeger and Woody Guthrie. However, Matsson is quick to distance himself from being part of any specific tradition, stating, , "rdquo" -> I don't want to be part of a tradition. I just want to do what feels natural to me. This is how I play, and this is how I write songs." His 2023 album 'Henry St.' marks the first time Matsson recorded an album in a band setting. As described by Matsson, it's the , "rdquo" -> most me album yet, because it covers so many of the different noises in my head. Having been away from it taught me that making music and performing is what I'm doing for the rest of my life, and I'm so grateful for it. It has given me new confidence and playfulness. This is what I do. It's unconditional."