Indie DateBook

Indie DateBook venue guide

Thalia Hall

Pilsen / Chicago

Thalia Hall is a landmark Pilsen theater with a general-admission main floor, seated balcony, and opera boxes for touring indie, folk, alternative, electronic, and cross-genre shows.

Pilsenhistoric theatermain floor and balconytouring concerts

Next on stage

Thalia Hall Free For All

Saturday, August 29 at 8:00 PM

48

Upcoming shows

47

Dates listed

Fri + Sat

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Listed prices

What to expect

A night at Thalia Hall

Choose Thalia Hall for a concert in an ornate historic theater rather than a standard club room. Floor, balcony, opera-box, and seated-show arrangements use different ticket terms, so verify the section, layout, age rule, doors, and status on the event listing.

Nearby picks

Before or after the show

Food and neighborhood stops to pair with the show. Check travel time and current hours, and reserve where appropriate.

  • Restaurant

    Mariscos San Pedro

    The Mexican seafood restaurant in the Thalia Hall building for a reservation-minded meal before the show.

  • Restaurant

    5 Rabanitos Restaurante & Taqueria

    A casual 18th Street Mexican restaurant for a sit-down neighborhood meal before doors.

  • Quick bite

    Carnitas Uruapan

    A long-running 18th Street carnitas counter for an earlier meal; confirm the day's closing time first.

  • Attraction

    National Museum of Mexican Art

    A Pilsen museum in Harrison Park to schedule before dinner; check exhibition and visiting hours.

  • Attraction

    Harrison Park

    A Chicago Park District stop for a daylight walk near the museum before an evening show.

Announced ahead

More Thalia Hall shows in the 90-day guide

These are the next 12 of 35 official dates beyond the current 30-day month view. Use the venue calendar and event pages for the complete long-range schedule.

ARLO PARKS - DESIRE TOUR with BairdRipe presented by Thalia Hall & Deep Cutbunii - BUNIIVERSITY TOUR presented by Thalia Hall and Kickstand ProductionsMind EnterprisesSweet Pill with Heart to Gold and Emily HowSYML - Solo in North America 2026 with Roger WeeksThe Dead Bolts with Cab EllisArmand Hammer with Quelle Chris and Open Mike EagleEMEI - Night at the Opera TourOsees ft. Brigid Dawson with Traps PS*SOLD OUT* Osees ft. Brigid Dawson with Traps PSJOHN SCOFIELD’S “ELECTROSPECTIVE” featuring OTEIL BURBRIDGE, LARRY GOLDINGS & ADAM DEITCH

Upcoming Chicago shows

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FreeElectronic

Thalia Hall Free For All

Thalia Hall Pilsen

The Thalia Hall Free For All presented by Thalia Hall and WBEZThalia Hall is once again opening all of its doors for a fully loaded summer edition of the Thalia Hall Free For All, a free-admission building crawl featuring programming across Thalia Halls main stage and Punch House, with an expanded outdoor footprint on Allport Street, including the Tack Room street stage! This years lineup brings Trish Toledo, Six Foot Blonde, Runner and Bobby, Liam Taylor, Greenttea s main stage and DJ Spinn and DJ Manny (of Teklife), Victor Internet (DJ set), and Hotdawwwg on the Tack Room street stage with Kevan Eftekhari closing out the night on the keys in Tack Room. Dont miss the Drag Show hosted by Clo La Mueca featuring DJ El Brujo down in Punch House with a late-night set from Future Rootz!Wander the building inside and out and experience live music in one of our spaces at any time, peruse a curated vendor market, play lotera with Nudia Hernandez and Marijuana Brothers, indulge in the culinary offerings of Mariscos San Pedro, and participate in a number of games and other activities along the way!Presented in part by WBEZ. This event is entirely free, but on-site donations benefiting the Pilsen Food Pantry are greatly encouraged.RSVP does not guarantee entry and is subject to capacity.For more information click here.

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Asal is leading the way in Alternative - Pop music. The 22 year old Persian artist has amassed over 150 million streams and sold out her first North American headline tour. At just 18, her breakout record Liars put her on the global radar, leading to a 30-city tour across Europe and North America supporting Artemas.She later collaborated with Grammy-nominated DJ Marc Kinchen (MK), performing their track Shes In The Club on the Main Stage at EDC Las Vegas. With Tolerance premiering on BBC Radio 1 and the release of winters gonna come, Asal now enters a new era with her latest EP, Kiss the Sun.

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INSTRUMENTS

When Chris Stewart set out to write and record his third album as Black Marble, he was newly living in Los Angeles, fresh off a move from New York. The environment brought much excitement and possibility, but the distance had proved too much for the car he brought along. With it out of commission indefinitely, he purchased a bus pass and planned his daily commute from his Echo Park apartment to his downtown studio, where he began to shape Bigger Than Life. The route wound all through the city, from the small local shops of Echo Park to the rising glass of the business district, to the desperation of Skid Row. The hurried energy of the environment provided a backdrop for the daily trip. When Stewart finally arrived at his studio, hed look through his window at the mountains and the sky, seeing the beauty that makes L.A. unique the same beauty his fellow commuters, some pushed to the edge of human endurance, had seen. That was the headspace he was in when he began to map out the syncopated drums and staccato arpeggiation of Bigger Than Life, an ode to his new condition and a shimmering synth-pop response to its cacophony.

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INSTRUMENTS

Over the past seven years, Leon Michels has quietly become one of the most sought-after producers in music, the man who can craft a sultry slow jam for the Carters, co-write for Lizzos Grammy-nominated album Special, and co-produce Kali Uchis global hit Moonlight. Though theres been this notion to associate him with the so-called subgenre of old soul, such an affiliation doesnt capture the full breadth of Michels musical artistry. Sure, the mix makes the music sound like the 1960s or 70s, but theres a modern lilt to it, a vast sensibility that works in any era.Michels iconoclastic sound comes from simply following his heart. Despite landing some high-profile work over a decade ago, which couldve meant immediate commercial fame in the mainstream marketplace, Michels turned inward, focusing instead on El Michels Affair, the group he created in 2000. He released this music through Big Crown Records, the record label he co-founded in 2016 with Danny Akalepse. I made a conscious decision to do my own thing and say no to all the quote opportunities that were being presented to me, Michels says. I thought, Ill make my own music, the kind that I like. Being able to do that actually created more of a calling card than if I wouldve just made pop music or whatever. Indeed, Michels has become a go-to composer by trekking the road less traveled; in a landscape of homogenized sound, his blend of melodic drums, lush keys and murky synthetics feel warm and inviting, mixing R&B, reggae, rock and rap influences without landing squarely on one.For his new solo album, 24 Hr Sports, which features Clairo, Norah Jones, Shintaro Sakamoto, Florence Adooni, Rog, Dave Guy, and a sample from the late Rahsaan Roland Kirk, Michels was inspired by the look of 80s Sports Illustrated magazines, the graphic design, the look, the pictures, and the way people dressed, he says. That kind of super colorful, but very two-dimensional design. I wanted to make music that sounds like that. Michels started listening to MF DOOMs Special Herbs instrumental albums and felt inspired by his beats. I wanted to reference that and his sample source material, which was a lot of 70s fusion and Brazilian records, but then with his cool spin on it, Michels says. He also listened to gospel music, namely Pastor T.L. Barrett, and was floored by how the work sounded. Michels wanted his album to sound uplifting as well. Ultimately, 24 Hr Sports, just like his career overall, is the music hed want to listen to if he didnt make it himself. I think the evolution of my sound is this: Its coming from old records, so it references the past a lot, but Im not a purist, Im a fan of modern technology, Michels says. I think what Im doing is new. Its a merging of the past and present, not unprecedented, but a good mix of then and now.

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Singer-songwriter

Paul Cauthen with Ben Chapman

Thalia Hall Pilsen

INSTRUMENTS

The Book of Paul VIP ExperienceIncludes: - One (1) GA Standing Ticket- Pre-show Meet & Greet and Photo Opportunity with Paul Cauthen- Intimate, Unplugged Solo Performance from Paul (2-3 songs)- Exclusive VIP Keepsake- Commemorative VIP Laminate & Lanyard- Early Entry Into the Venue - Priority Merchandise Shopping Before Doors Open to the Public- Limited Availability! Terms and Conditions for the VIP Package can be found here.Whether he knows it or not, every man lives by a code. And for country provocateur Paul Cauthen, that code is simple. Always bet on yourself. A singer-songwriter with a well-documented distaste for playing by anyone elses rules, the East Texas native spent two decades clawing his way through the country underground, embodying the independent spirit with a monolithic Big Velvet vocal. Fusing classic-country grit, gospel power, and a rhinestoned rock edge, four previous albums proclaimed his singular style with a booming baritone and near-biblical swagger. Taught to sing by his grandfather in a Church of Christ, Cauthen hit the scene with the duo Sons of Fathers in 2009, before My Gospel, Room 41, Country Coming Down, and Black on Black unveiled a vulnerable, fire-and-brimstone songwriter with brazen Texas attitude craving deliverance, yet possessed by a bird dog instinct for theatrical rapture. Cauthen has toured the world, collaborating with Margo Price, Orville Peck, Cody Jinks, and Lana Del Rey. And with favorites like Cocaine Country Dancing, Fuck You Money, and his GOLD-certified collab with Shaboozey on Last Of My Kind, he counts 442 million global streams. Cauthens fifth album, Book of Paul, takes him further down his path of utterly authentic country music; fearless, proud, and with two middle fingers in the air. Co-writing 12 of 13 tracks, the troubadour confesses to his wild side and wrestles with the sin. He spares no detail and makes no compromise.

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Over the last decade, Chicago quartet REZN have carved out a unique place in the landscape of heavy music, chiseling away at the crude formations of the topography, mining the most concentrated metallic ore from the dirt, and shaping it all into something monumental, imposing, and divine. While REZN has always fused seismic riffs with effortless beauty and grandeur, their shifting strategies for wielding that polarity have involved varied compositional and stylistic decisions, most notably the light-and-dark contrast of companion albums Solace (2023) and Burden (2024). But with their newest full-length offering, Cycles in the Infinite Dream, REZN masterfully harness the oppressive weight of their full sonic armory to celestial melodies and sublime synesthesia-inducing atmospherics in a manner so seamless it feels otherworldly, as if occupying a liminal space between two realities.While REZN traffic in the unbridled realms of metal and untethered reaches of psychedelia, their latest release showcases a band working with discipline and intention, even when those intentions are rendered to be purposefully cryptic. As the album title implies, Cycles in the Infinite Dream explores the nexus of our waking and nocturnal worlds. We moved towards the dream and subconscious state as a lyrical concept and melodic theme, the band explains. The pseudo-waking state is a reflection of a second existencesomething that you can flee to or be imprisoned by. Much like the subconscious-guided work of David Lynch, Cycles in the Infinite Dream exists as parallax between the artist and the audience, creating an obscured and distorted space that is both familiar and alien, like a corridor into our past where we recognize our surroundings but somehow still feel lost within its warped geometry.REZN have long operatedand thrivedin the subterranean realm of music heads who crave the aural equivalent of altered states. And with Cycles in the Infinite Dream, they have created their most psychotropic work to date.- Written by Brian Cook

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Shoshana Bean

Thalia Hall Pilsen

INSTRUMENTS

Grammy Award winner and three-time Tony Award nominee Shoshana Bean can currently be seen starring in The Lost Boys musical on Broadway. Prior to that she starred in Alicia Keys hit Broadway musical, Hells Kitchen. Her portrayal of Jersey earned her a Grammy Award, her second Tony Award nomination, a Drama League Award nomination, and a Drama Desk nomination. Her performance in the Public Theaters Hells Kitchen Off-Broadway production earned her a Lucille Lortel Award nomination.In 2022, she received Tony and Grammy nominations as well as an Outer Critics Circle Award Nomination and a Drama League Award Nomination for her role as Susan Young opposite Billy Crystal in Broadways Mr. Saturday Night. She previously starred on Broadway as the first replacement for Elphaba in Wicked and as Jenna in Waitress. Her six independent studio albums and EPs have landed her on top of the iTunes and Billboard charts, including the peak position of #1 on the Billboard Jazz Chart. She has sold out concerts around the globe and lent her voice to countless films and television shows, including The Boys, Sing, Sing 2, Enchanted, Jersey Boys, Glee, and Galavant. Shoshana made her Broadway debut in the original cast of Hairspray, appeared Off-Broadway in the 2000 revival of Godspell, and in Songs for a New World at City Center Encores. Regionally, she appeared in Sarah Silvermans The Bedwetter, won an IRNE Award for her performance as Fanny Brice in Funny Girl, and earned a Jeff Award nomination for her portrayal of CeeCee Bloom in the pre-Broadway musical production of Beaches. She has appeared in Bloodline, Bill and Ted Face The Music, Great Performances: 50 Years of Broadways Best, and recently filmed a solo concert special for PBS.

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Since their 2010 self-titled debut, The Secret Sisters have brought their spellbinding harmonies to songs that untangle the thorniest aspects of life and love and womanhood. In the making of their new album, Mind, Man, Medicine, Alabama-bred siblings Laura Rogers and Lydia Slagle found their songwriting transformed by a newfound sense of self-reliance and equanimity, threading their lyrics with hard-won insight into the complexities of motherhood, commitment, compassion, and self-preservation in an endlessly chaotic world. Centered on a kaleidoscopic sound that boldly blurs the edges of country-folk, the duos fifth full-length ultimately confronts many of modern lifes harshest challenges while leading the listener toward a more open-hearted state of mind.In our previous records there was a feeling that we had something to prove, but now were leaning toward a place of peaceful acceptance and trying to stay immersed in the present, says Slagle, noting that their shared experience in parenting young children greatly informed that shift in perspective. There are definitely still moments of frustration and anger on this album, but theres also a little more light, Rogers adds. I think a lot of that came from getting older, and from letting go of the pressure we put on ourselves in the past. We finally reached the point of saying, Lets just write the songs honestly as we can, and trust that theyll reach whoever theyre meant to reach.The follow-up to Saturn Returntheir 2020 Grammy-nominated LP co-produced by Brandi Carlile and lavishly praised by the likes of Rolling StoneMind, Man, Medicine finds The Secret Sisters co-producing alongside Ben Tanner (Alabama Shakes, St. Paul On Saturn Return wed gotten much more confident as far as directing the sound of the record and knowing how to capture our voices in the most honest way, so it felt like the right time for our first foray into production, says Rogers. The latest in a series of critically lauded releases, the album came to life at FAME Studios (the historic spot in their hometown of Muscle Shoals) and at Sun Drop Sound in nearby Florence, with contributions from such esteemed musicians as Alabama Shakes bassist Zac Cockrell and legendary multi-instrumentalist Larry Campbell (Paul Simon, Willie Nelson, Levon Helm).Referring to The Secret Sisters latest chapter as one where we seek, savor, and settle, the duo lifted the title to Mind, Man, Medicine from a lyric in Same Water: a gorgeously bluesy meditation on the search for healing in a profoundly troubled world, channeling both weariness and empathy with soulful conviction. Theres a line in Same Water that says Mind or man or medicine/I have tried them all, which feels like it encompasses everything we were trying to say on this record, Slagle explains. In a lot of these songs were struggling with our own minds and emotions, with our relationships, and with whatever were using to try to cope and find relief.

The Secret Sisters with Mary Bragg artwork from Thalia Hall

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