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These are the next 12 of 38 official dates beyond the current 30-day month view. Use the venue calendar and event pages for the complete long-range schedule.
Find upcoming indie and alternative concerts at The Fonda Theatre in Los Angeles, with dates, show times, venue details, official tickets, age limits, free-entry notes, ticket status, and nearby discovery links.
Noname (born Fatimah Warner) is an American artist from Chicago, Illinois, who blurs the lines of poetry and rap through the music she creates. Noname grew up in Bronzeville, a historic neighborhood on the southside of Chicago that famously attracted accomplished black artists and intellectuals of all types. Noname first discovered her love for words while taking a creative writing class as a sophmore in highschool. She became enamored with poetry and spoken word- pouring over Def Poetry Jam clips on YouTube and attending open mics around the city. Noname regularly attended and performed at an open mic at Harold Washington Library- YouMedia’s Lyricist Loft. After sessions at YouMedia, Noname would participate in cyphers and started getting into freestyling. When she was just a senior in highschool, she placed third in “Louder Than A Bomb”, a poetry competition with 120 Chicago high schools in participation. She remained connected with the artists she met at YouMedia and in 2013, her verse on Chance the Rapper’s “Lost” attracted the beginning of her large fan base, most of whom have been following her every move since. On July 31st Noname released her debut project entitled Telefone which was 3 years in the making and highly anticipated by fans and media alike. Instantly the project gained critical acclaim with a rave review by Pitchfork and landing her praise from major outlets like Rolling Stones, Complex and Dazed & Confused. Noname has been hailed by The FADER, Complex, and Rolling Stone as one of the most exciting and important new artists of 2016. Thanks to Telefone ’s success, Noname played some shows in support of Ms. Lauryn Hill, who hand-picked Noname to open for her on tour. When first approaching the project, Noname set out to emulate the feeling of talking on the phone with someone for the first time. She describes Telefone as “an introductory conversation with someone you’re interested in”. But as Noname continued to work on the tape, it also transitioned a bit into mortality: the idea of life and death and the duality between those two things.
Noname (born Fatimah Warner) is an American artist from Chicago, Illinois, who blurs the lines of poetry and rap through the music she creates. Noname grew up in Bronzeville, a historic neighborhood on the southside of Chicago that famously attracted accomplished black artists and intellectuals of all types. Noname first discovered her love for words while taking a creative writing class as a sophmore in highschool. She became enamored with poetry and spoken word- pouring over Def Poetry Jam clips on YouTube and attending open mics around the city. Noname regularly attended and performed at an open mic at Harold Washington Library- YouMedia’s Lyricist Loft. After sessions at YouMedia, Noname would participate in cyphers and started getting into freestyling. When she was just a senior in highschool, she placed third in “Louder Than A Bomb”, a poetry competition with 120 Chicago high schools in participation. She remained connected with the artists she met at YouMedia and in 2013, her verse on Chance the Rapper’s “Lost” attracted the beginning of her large fan base, most of whom have been following her every move since. On July 31st Noname released her debut project entitled Telefone which was 3 years in the making and highly anticipated by fans and media alike. Instantly the project gained critical acclaim with a rave review by Pitchfork and landing her praise from major outlets like Rolling Stones, Complex and Dazed & Confused. Noname has been hailed by The FADER, Complex, and Rolling Stone as one of the most exciting and important new artists of 2016. Thanks to Telefone ’s success, Noname played some shows in support of Ms. Lauryn Hill, who hand-picked Noname to open for her on tour. When first approaching the project, Noname set out to emulate the feeling of talking on the phone with someone for the first time. She describes Telefone as “an introductory conversation with someone you’re interested in”. But as Noname continued to work on the tape, it also transitioned a bit into mortality: the idea of life and death and the duality between those two things.
Eli has partnered with PLUS1 so that $1 per ticket goes to supporting organizations working for equity, access, and dignity for all. www.plus1.org The event organizer has decided that ticket transfer will be delayed for this event. Ticket transfer will be available on or about 08/19/2026. Resale of tickets on AXS Resale will not be immediately available for this event but may become available at a later date. Please review the terms of AXS’s Purchase Agreement (axs.com/purchaseagreement) for more information.
HAYLA has delivered her majestic, powerful voice all throughout the world of music. Growing up in Liverpool and immersed in sound from an early age, her relationship with music feels instinctive rather than deliberate. One of her earliest and most formative influences was Whitney Houston's Bodyguard album, a record that left a lasting emotional imprint and set the tone for her deep connection to vocal expression and feeling-led music. From performing in bands around the UK and teaching singing lessons, to taking the stage at the Hollywood Bowl with deadmau5 and closing out Coachella, HAYLA's journey has been one of quiet, unstoppable momentum. She is now one of electronic music's most recognisable and in-demand voices. Her GRAMMY nomination came via "Escape," her collaboration on deadmau5 and Kaskade's celebrated LP Kx5 , and she became a Gold-certified artist through "Where You Are," her smash co-write with John Summit. Both tracks alongside Summit collaboration "Shiver" reached #1 on SiriusXM's BPM, giving her the top song three years running. She has since added further Dance Radio #1s to her name: "Without You" with Kygo, "Another World" with MEDUZA, and the operatic "In My Arms" with ILLENIUM, which features on his #1 Billboard Dance Album chart project ODYSSEY alongside collaborations with Ellie Goulding and Ryan Tedder. Her collaboration with multi-platinum pop icon Nelly Furtado, "FADED" released via Casablanca Records is a haunting, cinematic dancefloor anthem that melds electronic atmosphere with emotional storytelling, and earned HAYLA a nomination for Best Collaboration at the Electronic Dance Music Awards (EDMAs). As a solo artist, HAYLA released her debut album DUSK (Restless Minds Music/Believe UK), earning a cover slot on Spotify's Mint playlist and a "Hottest Record" accolade on BBC Radio 1. Among its standout singles, "Visions Of You" reached #2 on Mediabase's Most Played chart at dance radio in 2025 and broke into the top 10 on Billboard Dance Airplay a landmark moment for HAYLA as a solo artist in her own right and commands over 6.2 million monthly listeners on Spotify. In late 2025, HAYLA embarked on a headline North American tour, following a landmark summer that included debut appearances at major PRIDE festivals across the U.S., two solo sets opening for Kygo at Ushuaïa Ibiza, and support slots at Red Rocks Amphitheatre. The tour culminated in sold-out shows at iconic venues including El Rey Theatre in Los Angeles and appearances at major festivals including ILLENIUM's Ember Shores. Now, HAYLA enters an exciting new chapter. She is nominated across multiple prestigious awards in early 2026: an iHeartRadio Music Award for "In My Arms" in the Dance Song of the Year category and four EDMAs including Female Artist of the Year, Vocalist of the Year, Dance Radio Artist of the Year, and Best Collaboration. She won a Femmy Award for Best Vocalist at Miami Music WeekShe and is also set to make her solo debut on the main stage at EDC Las Vegas in May 2026, having already appeared on the EDC Mexico main stage. On the 18th March, HAYLA took to the stage at St Pancras Church in London for an exclusive show performing entirely new music from her upcoming album, a bold statement of intent and a clear signal of her musical evolution. That album represents HAYLA's most personal and ambitious work to date, one that draws from a wide and unconventional palette: progressive metal, electronic music, melancholy singer-songwriter traditions, and atmospheric storytelling. Influences range from Chelsea Wolfe, Deftones, and Nick Drake to classical and jazz. The album was not planned or over-produced, it "just happened," guided by atmosphere and emotion rather than genre or trend. HAYLA describes her sound as "sad bitch music": emotionally heavy yet hopeful, melancholic but empowering. Themes of loss, love, grief, and resilience run throughout. Rather than offering answers, the music holds space allowing listeners to find their own meaning. New single "Heal" was released on 10th March. The message at the heart of it all is simple but powerful: you are not alone.
With an unusual name, Teutonic beats and aggressive sound, it is often assumed that Nitzer Ebb originated within the German techno scene, but the truth of the matter is that this trio hailed from the , in to be precise. Formed in 1982 by school friends Douglas McCarthy [Lead vocals, guitar], Vaughn 'Bon' Harris [vocals, percussion, guitars] and David Gooday, [percussion], Nitzer Ebb were influenced by the harder sounds of the early techno pop scene, distilling elements from several other genres too until they had created their own identifiable sound, characterised by extremely powerful rhythms, minimal sequenced hooklines and fierce, chanted lyrics. From staging small shows in their local area, Nitzer Ebb's infectious mix of pounding beats, militaristic imagery, angst and anger was soon filling alternative dancefloors across the UK, leading to live dates in London where the group caught the attention of PWL producer Phil Harding. Realising the trio's potential he helped them establish the label Power Of Voice Communications, producing and releasing their debut single "Isn't It Funny How Your Body Works?"(1985). The Nitzer Ebb sound was one of an impassioned techno rage, captured perfectly on three further singles "Warsaw Ghetto"(1985), "Warsaw Ghetto Remixes"(1986) and "Let Your Body Learn"(1986) which all raised their profile considerably to the extent that in Europe they were soon regarded as the leading exponents of the new Hard Beat or Electronic Body Music (EBM) scene. Taking Phil Harding with them, Nitzer Ebb signed to Mute in November 1986 and released the extremely brutal beats of "Murderous"(1986) followed by the 'International Funk Aggression' of "Let Your Body Learn" (1987) a smash hit in the clubs of New York, whilst the follow-up "Join In The Chant"(1987) was an early and somewhat unlikely hit on the UK acid house scene. Their debut album "That Total Age" (1987) captured the essence of Nitzer Ebb in a perfectly formed package, its combination of controlled anger and irresistible rhythm that becoming for many the most definitive example of the Nitzer Ebb sound. Embarking on a worldwide tour they discovered that their energetic live show was also just what dance music fans had been waiting for, their popularity on the Spanish coast alone resulting in a demand for 3 gigs a night. This infectious sound attracted the attention of fellow lads and label mates Depeche Mode who invited Nitzer Ebb to accompany them on the lengthy European leg of a highly successful world tour, exposing them to exactly the right audience for their sound and image. Returning to the studio following the tour theycompleted their next album "Belief" (1989) as a duo following the departure of David Gooday and ditching their militaristic image in favour of a more subtle approach to their output. Regular producer Phil Harding also left for pastures new and was replaced by Mark "Flood' Ellis, who in beginning a long relationship with McCarthy and Harris was also instrumental in steering them towards a more refined sound. With Nitzer Ebb's own world tour in the pipeline the duo recruited Julian Beeston to assist them with Beeston becoming a regular contributor both on and off stage. Their third album "Showtime"(1990) revealed a less confrontational sound and an accessibility that particularly appealed to audiences in the . The single "Fun To Be Had"(1990) even received a groovy remix by grandfather of funk George Clinton and reached number 2 in the dance charts. By the time Nitzer Ebb released "Ebbhead" (1991) even a previously reluctant music press were warming to their sound. On this release Nitzer Ebb were slower and more orchestrated, mixing their hard, industrial beat with raw guitar samples and more fully developed songs. Promoting the album with a global tour that took them from the southern states of the to appreciative audiences in , Nitzer Ebb were enjoying the fruits of their truly international appeal. By the time that their fifth album "Big Hit" (1995) arrived, Nitzer Ebb had been through another metamorphosis. Gone was the techno rage that had become their signature, being replaced instead with a wider use of real instruments, particularly guitars and drums. The songs too were more complex, dividing Nitzer Ebb's fan base between those who simply wanted them to go on making Electronic Body Music and those who supported their desire to develop. David Gooday rejoined the group but purely to provide artwork for this album and McCarthy and Harris hired a third member, Jason Payne [percussion] to their main line-up, recruiting John Napier [guitars, percussion] to assist with their live performances. "Big Hit" was their last record to date with all concerned taking an 'extended hiatus' following its completion which effectively spelled the end of Nitzer Ebb's activities as a group. Since "Big Hit" Nitzer Ebb's members have chosen to concentrate on their various solo and side projects, a practice McCarthy, Harris and Beeston had begun in 1989 with their collaboration with Die Krupps. Douglas McCarthy has been a regular collaborator with Depeche Mode's Alan Wilder on his Recoil project. Bon Harris meanwhile has relocated to worked as 13mg and with his latest three piece outfit Maven. The rediscovery of the Hard Beat/Electronic Body Music genre by a new generation of music fans has seen Richie Hawtin (Plastikman) include Nitzer Ebb's 'Let Your Body Learn' on his seductive "Decks EFX & 909"(1999) mix compilation and an exciting set of Nitzer Ebb remixes commissioned by novamute. The series of three 12" singles have seen Derrick May, Thomas P. Heckmann, Terence Fixmer, The Hacker, Phil Kieran and LFO's Mark Bell get to grips with the classic vintage of "Let Your Body Learn" (1987/2002),"Control I'm Here"(1988/2004) "Murderous"(1986/2004),'Shame' - Nitzer Ebb vs. Thomas P. Heckmann' (1989/2001) and "Join In The Chant"- Nitzer Ebb vs. Derrick May (1987/2001), the latter being a previously unreleased 1989 remix by the godfather of techno himself. 2004 sees Mute Records honour the enduring influence of Nitzer Ebb with a comprehensive retrospective entitled "Body of Work" (2004). This double CD and DVD package is sure to thrill both converts and the uninitiated alike, and with the growth of interest in a period of electronic music's history that Nitzer Ebb made their own, is sure to see their rampant energy moving dance floors all over the world once more.
STRICT 4 TICKET LIMIT. ANY ORDERS EXCEEDING THE ALLOWED AMOUNT ARE SUBJECT TO CANCELLATION WITHOUT NOTICE. The event organizer has decided that ticket transfer will be delayed for this event. Please review the terms of AXS’s Purchase Agreement (axs.com/purchaseagreement) for more information. The Warning grew up writing songs, playing shows, and sharpening their craft together in Monterrey, Mexico. That lifelong bond between sister Daniela “Dany” (guitar, lead vocals, piano), Paulina “Pau” (drums, vocals, piano), and Alejandra “Ale” Villarreal (bass, piano, backing vocals) fuels their uncompromising vision and drives the chemistry that powers the band. After building a global audience with early independent releases, The Warning broke through with ERROR [2022] and Keep Me Fed [2024]. The latter pushed their career streams past 650 million and earned a Latin GRAMMY ® ️ nomination for Best Rock Song for “Qué Más Quieres,” alongside nominations at the MTV VMAs and MTV EMAs. Relentless touring has taken them around the world, headlining packed venues and sharing stages with artists including Yungblud, Halsey, Evanescence, Muse, and Foo Fighters. In 2025, they capped off the cycle with sold-out shows for 30,000 fans in Mexico City, captured on the live album and concert film Live From Auditorio Nacional, CDMX, which screened in AMC and Cinépolis theaters. To kick off 2026, The Warning ignite their next era with “Kerosene,” a powerful statement of what’s to come.
STRICT 4 TICKET LIMIT. ANY ORDERS EXCEEDING THE ALLOWED AMOUNT ARE SUBJECT TO CANCELLATION WITHOUT NOTICE. The event organizer has decided that ticket transfer will be delayed for this event. Please review the terms of AXS’s Purchase Agreement (axs.com/purchaseagreement) for more information. The Warning grew up writing songs, playing shows, and sharpening their craft together in Monterrey, Mexico. That lifelong bond between sister Daniela “Dany” (guitar, lead vocals, piano), Paulina “Pau” (drums, vocals, piano), and Alejandra “Ale” Villarreal (bass, piano, backing vocals) fuels their uncompromising vision and drives the chemistry that powers the band. After building a global audience with early independent releases, The Warning broke through with ERROR [2022] and Keep Me Fed [2024]. The latter pushed their career streams past 650 million and earned a Latin GRAMMY ® ️ nomination for Best Rock Song for “Qué Más Quieres,” alongside nominations at the MTV VMAs and MTV EMAs. Relentless touring has taken them around the world, headlining packed venues and sharing stages with artists including Yungblud, Halsey, Evanescence, Muse, and Foo Fighters. In 2025, they capped off the cycle with sold-out shows for 30,000 fans in Mexico City, captured on the live album and concert film Live From Auditorio Nacional, CDMX, which screened in AMC and Cinépolis theaters. To kick off 2026, The Warning ignite their next era with “Kerosene,” a powerful statement of what’s to come.
STRICT 4 TICKET LIMIT. ANY ORDERS EXCEEDING THE ALLOWED AMOUNT ARE SUBJECT TO CANCELLATION WITHOUT NOTICE. The event organizer has decided that ticket transfer will be delayed for this event. Please review the terms of AXS’s Purchase Agreement (axs.com/purchaseagreement) for more information. The Warning grew up writing songs, playing shows, and sharpening their craft together in Monterrey, Mexico. That lifelong bond between sister Daniela “Dany” (guitar, lead vocals, piano), Paulina “Pau” (drums, vocals, piano), and Alejandra “Ale” Villarreal (bass, piano, backing vocals) fuels their uncompromising vision and drives the chemistry that powers the band. After building a global audience with early independent releases, The Warning broke through with ERROR [2022] and Keep Me Fed [2024]. The latter pushed their career streams past 650 million and earned a Latin GRAMMY ® ️ nomination for Best Rock Song for “Qué Más Quieres,” alongside nominations at the MTV VMAs and MTV EMAs. Relentless touring has taken them around the world, headlining packed venues and sharing stages with artists including Yungblud, Halsey, Evanescence, Muse, and Foo Fighters. In 2025, they capped off the cycle with sold-out shows for 30,000 fans in Mexico City, captured on the live album and concert film Live From Auditorio Nacional, CDMX, which screened in AMC and Cinépolis theaters. To kick off 2026, The Warning ignite their next era with “Kerosene,” a powerful statement of what’s to come.