Venue guide

Cornerstone Berkeley indie concerts

East Bay · Berkeley

2367 Shattuck Ave, Berkeley, CA 94704

Cornerstone Berkeley is an East Bay music hall for indie, hip-hop, punk, hardcore, touring rock, and local Berkeley bills.

Indie DateBook follows Cornerstone's official events page and keeps ticket availability tied to the venue's source links.

Use this source-backed venue calendar for upcoming shows, official tickets, age limits, free-entry notes, and neighborhood discovery links when those details are available from the venue feed.

Berkeleyhardcore and punktouring rock9 all agesElectronicPunk

Upcoming indie shows at Cornerstone Berkeley

Use this venue calendar to compare 9 upcoming San Francisco Bay Area and Santa Cruz indie listings at Cornerstone Berkeley. Indie DateBook keeps the event feed focused on dates, show times, ticket links, ticket status, age limits, free-entry notes, and official calendar links so you can scan Cornerstone Berkeley shows without sorting through a broader city listings page. Current source-backed signals include 9 all-ages shows; electronic, punk scene tags.

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Indie DateBook

Cornerstone Berkeley Venue Calendar

Find upcoming indie and alternative concerts at Cornerstone Berkeley in San Francisco Bay Area and Santa Cruz, with dates, show times, venue details, official tickets, age limits, free-entry notes, ticket status, and nearby discovery links.

22 venues • 6 neighborhoods

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(Cornerstone Berkeley) Filtered Results: 9Clear Venue Filter

Fri, Jul 17, 9:00 PM

All AgesPunkElectronic

Show 9pm Cornerstone Presents: RJD2 with JEL With the same care he combines sound sources into songs, RJD2 has stitched together an impressive career out of many projects: instrumental albums, international tours, credits for Mos Def, MF DOOM, Phonte, producing the theme for Mad Men, and beyond. The Columbus, OH producer titled his new album Visions Out of Limelight in honor of his comfortable place in the underground and his "self-imposed exile" at work on the tracks. For his latest instrumental LP, the producer found inspiration in sources that can be taken for granted by less-discerning listeners. Thanks to time at home with his son, RJD2 was completely immersed in the TV theme songs of the '70s, '80s, and '90s. "I realized how incredibly composed and skillfully complex many of them were. These songs contained a few core tenets: a great groove, a great chord change, a strong melody, and a concise time frame," he says. "It made me realize how hard it is to make instrumental music with a melody that's as memorable as a lead vocal." The producer was also determined to build tracks around interesting basslines, inspired by classic parts in Dr. Dre's "Deep Cover," KMD's "Black Bastards," and [Diamond D example]. It was a deliberate change from the chord-centric compositions in post-millennial hip-hop and funk. It became a "mini-mission" for the producer to make a modern album that puts the bass in the forefront of the songs. Both approaches align on single "Catch The Exit Door," as electric bass percolates up and down the neck under wah-wah guitars and horns straight out of a syndicated cop drama. "Through It All" features crooning from English vocalist Jamie Lidell, pondering his existence over piano stabs and a steady breakbeat. Frequent collaborator Jordan Brown flexes his paranoid android falsetto to fit the loose groove of "Fools at the Haul" with robotic precision. Some songs were recorded with live instrumentation while others were chopped and reassembled via sampler "like the olden days," RJD2 says. "I still to this day appreciate the radical shift in mindstate inspired by constructing a song with bits of found sound." Good luck figuring out which drums are live or samples. With 15+ years of studio experience, the producer has developed a combination of mic placement, technique, tuning and gain staging to get drum sounds that evoke the same grit and urgency of classic hiphop breakbeats. "You either run out of great drum samples, or you spend the bulk of your creative time chasing new ones, to varying degrees of success," he says. "The finite nature of great drum samples has pushed me further into honing my drumming game." RJD2 has a wide range of Visions: "Wild For The Night"'s aggro horn loop was inspired by the legendary Bomb Squad, while "What I Do, Man" and "Asphalt Lamentations" were inspired by French touch house of Daft Punk and Ed Banger Records. At proper volume, the full album evokes the thrift-shop psychedelia of Paul's Boutique. And the producer really did bury himself up to his neck in the dirt [where?] for the album art. "Album covers have become my opportunity to do something fun in the real world," he says. It's a dual homage to Funkadelic's Maggot Brain and Redman's Dare Iz A Darkside, two artists with enduring catalogs of no-bullshit, rock-solid music. RJD2 aspires to create a similar body of work, from his 2002 opus Deadringer to 2020's The Fun Ones on to the future. "I have come to terms with the fact that the most impactful and lasting effort I can put forth in my limited time on Earth is to leave behind the best music I can, not for the sake of pitching 'me,' but for the sake of the music itself," he says. "The timeless nature of recorded music and its ability to touch an unknown future listener makes it as close to a worthy endeavor as I'll ever attempt." Visions Out of Limelight channels RJD2's many influences into another incredible instrumental album, and it just might be a classic one day too. -Jack Riedy - Jeffrey James Logan, known as Jel, is an American hip hop producer, rapper, and co-founder of the influential indie label Anticon. A foundational member of such influential early '00's groups as Themselves, 13 & God, Subtle, and Deep Puddle Dynamics - JEL has also produced songs for the likes of Mike Patton, DJ Krush, Atmosphere and Sage Francis. Having toured the world over many times as a live solo producer, JEL has been a trailblazer with a sampler and drum machine on stage.

RJD2 artwork from Cornerstone Berkeley

Tue, Jul 28, 7:00 PM

All Ages

Show 7pm Cornerstone Presents: SIX FEET UNDER and KATAKLYSM with Wormhole, Barbarous

Six Feet Under artwork from Cornerstone Berkeley

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